23.11 – 07.12.2025 | ОNLINE
Me Cuido
Taking Care of Yourself, Taking Care of EveryoneChile, 6 minutes, 2020, experimental
Authors: Las Indetectables, Macarena Rodríguez, Osvaldo Guzmán
Me Cuido (I take care of myself/I’m careful) questions the relationship between colonial paradigms of health, religious guilt, and the stigmatization of people living with HIV in the context of Chile’s capitalist and neoliberal regime.
Content warning: mentions of violence, substance abuse

Las Indetectables
Las Indetectables is a Chilean band led by Sofía Devenir (feminist poet and historian, musician) and Noelia Shalá (Uber/Beat driver, history teacher, and musician). With their friends and collaborators, Macarena Rodríguez(photographer and documentarian) and Osvaldo Guzmán (researcher and producer), they address topics such as HIV/AIDS, hate crimes, the experiences of sex workers and travesti, and the contradictions that occur when marginalized subjects stage political interventions in the street or on public transit.
Other films in the program
Dear Lou Sullivan
USA, 6 minutes, 2014, experimental
Director: Rhys Ernst
This work by LA-based artist Rhys Ernst invokes the story of Lou Sullivan, trans man and AIDS activist largely responsible for establishing the distinction between gender identity and sexual orientation.
Recipe for an Elder
Canada, 6 minutes, 2024, experimental/hybrid fiction
Director: JL Whitecrow
A dedication to First Nations women and Two-spirit people that are living with AIDS/HIV and the community organizations that offer Indigenous cultural programs as a means of healing.
AnOther Love $tory: Women & AIDS
Canada, 30 minutes, 1990, fiction
Directors: Debbie Douglas, Gabrielle Micallef
AnOther Love $tory was produced to dispel the myths around HIV & AIDS for women in general, lesbians in particular.
That Child with AID$
Brazil, 11 minutes, 2023, documentary
Directors: Lili Nascimento, Hiura Fernandes
Between archives, delusions, and memories, "That Child with AID$" revisits the forbidden memories of childhoods lived and still lived with HIV in Brazil. Inspired by the life and research of Lili Nascimento (stage name of Lírio Nascimento), the film is a ritual of collective healing where pain becomes language and forgetting, resistance.



