23.11 – 07.12.2025 | ОNLINE
Recipe for an Elder
Taking Care of Yourself, Taking Care of EveryoneCanada, 6 minutes, 2024, experimental/hybrid fiction
Director: JL Whitecrow
A dedication to First Nations women and Two-spirit people that are living with AIDS/HIV and the community organizations that offer Indigenous cultural programs as a means of healing. This film is experimental and blends documentary and fictional elements to capture the grassroots work that is Indigenous-led.
Content warnings: mentions of genocide, colonial violence

JL Whitecrow
JL Whitecrow is an artist, performer, and independent filmmaker based out of Toronto, ON, Canada. She is Anishinaabe and grew up in Seine River First Nation, Treaty #3. Jamie studied Philosophy and Indigenous community development before pursuing an MFA in Film Production at York University. She has made several experimental, documentary, hybrid-fiction, and comedy works that focus on women, sexuality, and identity.
Other films in the program
Dear Lou Sullivan
USA, 6 minutes, 2014, experimental
Director: Rhys Ernst
This work by LA-based artist Rhys Ernst invokes the story of Lou Sullivan, trans man and AIDS activist largely responsible for establishing the distinction between gender identity and sexual orientation.
Me Cuido
Chile, 6 minutes, 2020, experimental
Authors: Las Indetectables, Macarena Rodríguez, Osvaldo Guzmán
Me Cuido (I take care of myself/I’m careful) questions the relationship between colonial paradigms of health, religious guilt, and the stigmatization of people living with HIV in the context of Chile’s capitalist and neoliberal regime.
AnOther Love $tory: Women & AIDS
Canada, 30 minutes, 1990, fiction
Directors: Debbie Douglas, Gabrielle Micallef
AnOther Love $tory was produced to dispel the myths around HIV & AIDS for women in general, lesbians in particular.
That Child with AID$
Brazil, 11 minutes, 2023, documentary
Directors: Lili Nascimento, Hiura Fernandes
Between archives, delusions, and memories, "That Child with AID$" revisits the forbidden memories of childhoods lived and still lived with HIV in Brazil. Inspired by the life and research of Lili Nascimento (stage name of Lírio Nascimento), the film is a ritual of collective healing where pain becomes language and forgetting, resistance.



